PRACTICE-LED RESEARCH

 

Fieldworks

2021

 Healing Figures (2021-current/ongoing)

2020

 If Earth is a Mother (2020), Childers Street, Deptford, London

2019

 Behind Tate Modern, Morphological Activism and Working-Class Single Mothers (2018-19): Various locations behind Tate Modern, London

2018

 With My Body, I Heard the Silenced Song of an Unknown Woman | Con il mio corpo, ho sentito la canzone silente di una donna sconosciuta: Vicolo dell’ Amore, Tuscany

2018

 Invisible Labour (2017-18): Creekside, London

2017

 Land Operation: Silver Road, London

2015

 La Commercial Woman: Carrer del Rec, Barcelona

Solo Exhibitions, Performances and Film Screenings

2018

 New Model Army: Invisible Labour, APT Gallery, Deptford, London

2016

 “F” is for Fragment: V22, Louise House, London

2012

 New Model Army: Madder 139, London

2009

 For Pretty Things Go Elsewhere: Grey Area Gallery, Brighton

Group Exhibitions and Film Screenings

2023

 Poor Things: Fruitmarket, Edinburgh. Curated by Emma Hart and Dean Kenning

2020

 Earth 2020: And Association, Aldgate, London

2019

 Four Corners: Credit Suisse, Canary Wharf, London

2017

 Touchstone: APT Gallery, London

2016

 Reproductive Labour | Parenting Beyond Patriarchy (Part ii): Women’s Art Library, Goldsmiths College, London

2015

 Couldn’t Care Less: A Cross Cultural Live Art Project: Deptford Lounge, London. Curated by Something Human in partnership with Deptford Lounge

2013

 Object Abuse: Spinach Gallery, London

2012

 Jam (1): Gender & Language: The Sugarhouse, Bow Church, London

 The Perfect Nude: Wimbledon Space, London. Curated by Dan Coombs and Phillip Allen

2011

 A Piece of Paper: Madder 139, London

 Creekside Open 2011: APT Gallery, London. Selected by Phyllida Barlow

 Model Vs Reality: Fold Gallery, London

2010

 Inspired by Soane: Sir John Soane’s Museum, London

2009

 Gam/Dong/(Feel/Move): Public Art Project, Sabuk-Gohan, South Korea

 About Women: CCCB – Centre for Contemporary Culture, Barcelona

2008

 Feminista Mistah: AVA Gallery, East London University, London

 Routemaster General: Zabludowicz Collection, London. Curated by Michelle Williams – Gamaker

2006

 Linda Aloysius, Alexis Harding, Warren Neidich: Andrew Mummery Gallery, London

2004

 Flea Market: Temporary Contemporary, London

2003

 Boutique: Two-person site specific project, 118 New Cross Road, London. Curated by Kirsten Lyle

 Made in UK: Arch Gallery, Islington, London

 Infallible: APT Gallery, London. Curated by Roxy Walsh.

 Touring to:

 Hatton Gallery, Newcastle (2005),

 The Arts Centre, Huddersfield (2004),

 Mead Gallery, Coventry (2003)

2002

 Shift: site specific project, 38 Ommaney Road, New Cross, London

 

INTERNATIONAL RESIDENCIES

2009

 Gam / Dong: Feel / Move, Public Art Project, Art in Village, Sabuk-Gohan, South Korea

 

RESIDENCIES

2017 – 18

 Ryder Project Space: A.P.T. London

2016

 Futuro House, Central Saint Martins, London

 

PUBLICATIONS

2020

 ‘New Model Army: Behind Tate Modern: Morphological Activism and Working-Class Single Mothers’. In: Deepwell, K. (ed.). ‘Feminist Activisms and Artivisms’, Netherlands: Valiz, 166-179

 

Peer-Reviewed Articles

2018

 ‘New Model Army: Invisible Labour (2017-18)’. In: ‘Feminist Review, Issue 120, Currents’, October 2018, 122-129

2016

 ‘Not Fallen but Felled’ (2016). In: ‘Museological Review, Issue 20: The Global Microphone’, April 2016, 63-70

 

Text Art reproduced as Book Section

2005

 ‘The Rules of The Shop’. In: Walsh, R. (ed.). Infallible, In Search of the Real George Eliot, Birmingham: ARTicle Press, 8-9

 

Editorial Contribution

2013

 ‘Now We Are A Conversation’: Guest Writer: University of East London BA Fine Art Degree Show Catalogue

 Guest Peer Reviewer, E-Sharp Magazine, University of Glasgow

 

CONFERENCES + SYMPOSIA

2022

 ‘Sculpting as Healing’, Maternal Bodies in the Long Nineteenth Century, The Foundling Museum, London, 19th April

2019

 ‘When Girlhood is Motherhood: The Desiring & Creative Gazes of Working-Class Single Mothers’, Girling Feminism: Towards New Theories of Girlhood, Glasgow University, 7th June

2018

 ‘(Im) Personification in the Making of New Model Army’, Personification Across Disciplines, University of Durham, 17th -18th September

 ‘Morphological Activism’, Artivisms and Activisms, Middlesex University, London, 2nd July

 ‘New Model Army: Invisible Labour’, In Your Own Time: The Production of Body and Time Under Capitalism, MRes Art: Theory and Philosophy, Central Saint Martins, London, 17th May

2017   

 ‘Intimacy and Post-Internet Cities: Art and Women’s Dirty Work in the Digital Age’, Post Internet Cities, MAAT – Museum of Art, Architecture and Technology, Lisbon, 256th May

2016

 Reproductive Labour | Parenting Beyond Patriarchy’. Co-convenor and paper presented for Goldsmiths Graduate Festival, Goldsmiths College, University of London, 9th May

2015

 “F” is for Fragment’, Goldsmiths College Research Symposium ‘Un-themed’, Goldsmiths College, University of London, 23rd-24th November

 Aloysius, L. ‘Reproductive Labour, Motherhood and Art’, Motherhood, Deptford Lounge, London, 5th November

 ‘We and “We”: A Feminist Analysis of the Economics of Care’. Comparing We’s Community, Cosmopolitanism and Emancipation in a Global Context, Centre for Comparative Studies, Faculty of Letters, Lisbon University, Lisbon, 26th -27th  May

2011

 ‘Irigaray’s “To” ‘, First Global Conference: Gender and Love, Mansfield College, University of Oxford, 19th-21st September

2010

 ‘Notes on a Phallus’, Co-convenor and paper presented for: In/Out, Shake It All About: Objects, Artists and Ontology, Goldsmiths College Research Symposium, University of London, 9th-10th May

2008

 ‘Criticality’s Crisis of Institutionalisation’, Art Relations – Revisiting Crucial Concepts, Freie University, Berlin, Germany, 30th October – 1st November

 ‘The Wilderness Works’, Co-convenor and paper presented for: Gender, Goldsmiths College Research Symposium, University of London, 8th-10th December

 ‘Other Artists’, Fine Art Frameworks II: Contemporary Practices, Theories and Curatorial Strategies, Jerwood Space, London, 8th July

GUEST PANELLIST /INTERLOCUTOR/ LEAD DISCUSSANT

2016

 Lead Discussant: Research discussion with MRes Art and BA Fine Art Students on the effects of housing on studying, Futuro House, Central Saint Martins, London, 17th March

2015

 Guest panelist for ‘Motherhood’, with Professor Carmine Pariante and artist Lynn Lu, for the event ‘Couldn’t Care Less: A Cross Cultural Live Art Project’, Deptford Lounge, London, 7th November

2009

 Lead Discussant: Research discussion with local female mining community for the residency and exhibition: Gam / Dong Public Art Project, Gohan-Sabuk, South Korea, 19th October

2009

 Guest Interlocutor for Mark le-Maistre, for symposium ‘Altmodern’, Goldsmiths College, 17th February

2008

 Guest Interlocutor for Young-In Hong, for symposium ‘(Im)Materiality’, Goldsmiths College, 15th June

ARTIST TALKS

2023 (upcoming, 12th May)

 Fruitmarket Gallery

2021

 Research Hub, ACME Studios, Childers Street, London: Artist’s Interview with Elisabeta Ilie, PhD Candidate, Bartlett School of Planningand Urban Design Lab 1, Graphic Skills Module Coordinator

2020

 SFK International Art Education, Beijing, China

2018

 Linda Aloysius in Conversation with Dr Alexandra Kokoli, APT Gallery, Deptford, London

2017

 APT Gallery, Deptford, London

2012

 Contemporary Art Society, London

 Slade School of Fine Art, London

2011

 Department of Art and Architecture, K College, University of Greenwich

 School of Art & Design, Bath Spa University

2008

 AVA Gallery, University of East London

SELECTED PRESS + REVIEWS

2023

‘Poor Things’, David MacMillan, The Scotsman, 6th March, 2023

‘Poor Things Opens at Fruitmarket’ Phyllis Stephens, The Edinburgh Reporter, 7th March 2023

2017

 ‘Linda Aloysius: To Keep Standing’, review of the project Land Operation (2017), authored by Cherry Smyth

2012

 ‘Linda Aloysius: New Model Army’, Re-Title.com Featured Exhibitions

 ‘A New Approach to Femininity’, Seoul Art Guide: April 2012, review by Yoon Ki Sup

 ‘Linda Aloysius: New Model Army’, REVma -/+, interview with Kostas Prapoglous

 ‘Linda Aloysius: New Model Army’, Paul’s Art World, authored by Paul Carey-Kent

 Exhibition Catalogue: Gam / Dong (Feel / Move) Public Art Project

AWARDS

2021     

 Studio Practice Fund Award: Arts Council England Cultural Recovery Fund with DCMS and ACME Studios

2020     

 Rent Relief Scheme Award: ACME Studios

2017     

 Ryder Project Space, APT London: Subsidised studio, residency (one year), solo exhibition

2015     

 Research Support Award: Goldsmiths College, University of London

2009     

 Artist in Residence: Art Village: Public Art Project, Sabuk-Gohan, South Korea

2008     

 Research Support Award: Goldsmiths College, University of London

2005     

 New Work Award (Visual Commission): Arts Council Heritage Lottery Fund

2001-2  

 MFA Paid Study Leave: Penta Ocean Construction Co. Ltd

1995     

 Artist Sponsorship: Gabriel & Co., Birmingham: Bespoke production and delivery of parts for the work ‘Yellow Me’

 

FORMAL EDUCATION

2006 – 18

 PhD Art (practice led): Goldsmiths College, University of London

2001 – 03

 MFA Fine Art: Distinction: Goldsmiths College, University of London

1992 – 95

 BA Fine Art (hons): First Class: Manchester Metropolitan University

Doctoral Thesis (Practice-Lead)

2018

 Developing Productive Mimesis in the Age of Screened Oppression: Rhetorics of Flattening and Fragmentation in the Making of New Model Army, Goldsmiths College, University of London