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EDUCATION

 

2006 – 18

 PhD Art (practice led)Goldsmiths College, University of London

 

2001 – 03

 MFA Fine Art: Distinction: Goldsmiths College, University of London

 

1992 – 95

 BA Fine Art (hons): First Class: Manchester Metropolitan University

 

 

 PRACTICE-LED RESEARCH

 

 Fieldworks

 2021

 Healing Figures (2021 – current/ongoing)

 

2020

 If Earth is a Mother (2020), Childers Street, Deptford, London

 

2019

Behind Tate Modern, Morphological Activism and Working-Class Single Mothers (2018-19): Various locations behind Tate Modern, London

 

2018

With My Body, I Heard the Silenced Song of an Unknown Woman | Con il mio corpo, ho sentito la canzone silente di una donna sconosciuta: Vicolo dell’ Amore, Tuscany

 

2018

Invisible Labour (2017-18): Creekside, London

 

2017

Land Operation: Silver Road, London

 

2015

La Commercial Woman: Carrer del Rec, Barcelona

 

 

Solo Exhibitions, Performances and Film Screenings

2018

 New Model Army: Invisible Labour, APT Gallery, Deptford, London

 

2016

 “F” is for Fragment: V22, Louise House, London

 

2012

 New Model Army: Madder 139, London

 

2009

 For Pretty Things Go Elsewhere: Grey Area Gallery, Brighton

 

 Group Exhibitions and Film Screenings

 

2020

Earth 2020: And Association, Aldgate, London

 

2019

Four Corners: Credit Suisse, Canary Wharf, London

 

2017

Touchstone: APT Gallery, London

 

2016

Reproductive Labour | Parenting Beyond Patriarchy (Part ii): Women’s Art Library, Goldsmiths College, London

 

2015

Couldn’t Care Less: A Cross Cultural Live Art Project: Deptford Lounge, London. Curated by Something Human in partnership with Deptford Lounge

 

2013

Object Abuse: Spinach Gallery, London

 

2012

Jam (1): Gender & Language: The Sugarhouse, Bow Church, London

The Perfect Nude: Wimbledon Space, London. Curated by Dan Coombs and Phillip Allen

 

2011

A Piece of Paper: Madder 139, London

Creekside Open 2011: APT Gallery, London. Selected by Phyllida Barlow

Model Vs Reality: Fold Gallery, London

 

2010

Inspired by Soane: Sir John Soane’s Museum, London

 

2009

Gam/Dong/(Feel/Move): Public Art Project, Sabuk-Gohan, South Korea

About Women: CCCB – Centre for Contemporary Culture, Barcelona

 

2008

Feminista Mistah: AVA Gallery, East London University, London

Routemaster General: Zabludowicz Collection, London. Curated by Michelle Williams – Gamaker

 

2006

Linda Aloysius, Alexis Harding, Warren Neidich: Andrew Mummery Gallery, London

 

2004

Flea Market: Temporary Contemporary, London

 

2003

Boutique: Two-person site specific project, 118 New Cross Road, London. Curated by Kirsten Lyle

Made in UK: Arch Gallery, Islington, London

Infallible: APT Gallery, London. Curated by Roxy Walsh.

Touring to:

Hatton Gallery, Newcastle (2005),

The Arts Centre, Huddersfield (2004),

Mead Gallery, Coventry (2003)

 

2002

Shift: site specific project, 38 Ommaney Road, New Cross, London

 

Doctoral Thesis (Practice Based)

2018

Developing Productive Mimesis in the Age of Screened Oppression: Rhetorics of Flattening and Fragmentation in the Making of New Model Army, Goldsmiths College, University of London

 

INTERNATIONAL RESIDENCIES

 

2009

Gam / Dong: Feel / Move, Public Art Project, Art in Village, Sabuk-Gohan, South Korea

 

 

RESIDENCIES

 

2017 – 18

Ryder Project Space: A.P.T. London

 

2016

Futuro House, Central Saint Martins, London

 

 

PUBLICATIONS

Book Chapter

 

2020

‘New Model Army: Behind Tate Modern: Morphological Activism and Working-Class Single Mothers’. In: Deepwell, K. (ed.). ‘Feminist Activisms and Artivisms’, Netherlands: Valiz, 166-179

 

 

Peer-Reviewed Articles

 

2018

‘New Model Army: Invisible Labour (2017-18)’. In: ‘Feminist Review, Issue 120, Currents’, October 2018, 122-129

 

2016

‘Not Fallen but Felled’ (2016). In: ‘Museological Review, Issue 20: The Global Microphone’, April 2016, 63-70

 

 

Text Art reproduced as Book Section

 

2005

‘The Rules of The Shop’. In: Walsh, R. (ed.). Infallible, In Search of the Real George Eliot, Birmingham: ARTicle Press, 8-9

 

 

Editorial Contribution

 

2013

‘Now We Are A Conversation’: Guest Writer: University of East London BA Fine Art Degree Show Catalogue

Guest Peer Reviewer, E-Sharp Magazine, University of Glasgow

 

 

CONFERENCES + SYMPOSIA

 

2022

‘Sculpting as Healing’, Maternal Bodies in the Long Nineteenth Century, The Foundling Museum, London, 19th April

 

2019

‘When Girlhood is Motherhood: The Desiring & Creative Gazes of Working-Class Single Mothers’, Girling Feminism: Towards New Theories of Girlhood, Glasgow University, 7th June

 

2018

‘(Im) Personification in the Making of New Model Army’, Personification Across Disciplines, University of Durham, 17th – 18thSeptember

‘Morphological Activism’, Artivisms and Activisms, Middlesex University, London, 2nd July

‘New Model Army: Invisible Labour’, In Your Own Time: The Production of Body and Time Under Capitalism, MRes Art: Theory and Philosophy, Central Saint Martins, London, 17th May

 

2017   

‘Intimacy and Post-Internet Cities: Art and Women’s Dirty Work in the Digital Age’, Post Internet Cities, MAAT – Museum of Art, Architecture and Technology, Lisbon, 26th May

 

2016

Reproductive Labour | Parenting Beyond Patriarchy’. Co-convenor and paper presented for Goldsmiths Graduate Festival, Goldsmiths College, University of London, 9th May

 

2015

“F” is for Fragment’, Goldsmiths College Research Symposium ‘Un-themed’, Goldsmiths College, University of London, 23rd – 24th November

 Aloysius, L. ‘Reproductive Labour, Motherhood and Art’, Motherhood, Deptford Lounge, London, 5th November

‘We and “We”: A Feminist Analysis of the Economics of Care’. Comparing We’s Community, Cosmopolitanism and Emancipation in a Global Context, Centre for Comparative Studies, Faculty of Letters, Lisbon University, Lisbon, 26th – 27thMay

 

2011

‘Irigaray’s “To” ‘, First Global Conference: Gender and Love, Mansfield College, University of Oxford, 19th – 21st September

 

2010

‘Notes on a Phallus’, Co-convenor and paper presented for : In/Out, Shake It All About: Objects, Artists and Ontology, Goldsmiths College Research Symposium, University of London, 9th – 10th May

 

2008

‘Criticality’s Crisis of Institutionalisation’, Art Relations – Revisiting Crucial Concepts, Freie University, Berlin, Germany, 30thOctober – 1st November

‘The Wilderness Works’, Co-convenor and paper presented for: Gender, Goldsmiths College Research Symposium, University of London, 8th – 10th December

‘Other Artists’, Fine Art Frameworks II: Contemporary Practices, Theories and Curatorial Strategies, Jerwood Space, London, 8th July

 

 

GUEST PANELLIST /INTERLOCUTOR/ LEAD DISCUSSANT

 

2016

Lead Discussant: Research discussion with MRes Art and BA Fine Art Students on the effects of housing on studying, Futuro House, Central Saint Martins, London, 17th March

 

2015

Guest panelist for ‘Motherhood’, with Professor Carmine Pariante and artist Lynn Lu, for the event ‘Couldn’t Care Less: A Cross Cultural Live Art Project’, Deptford Lounge, London, 7th November

 

2009

Lead Discussant: Research discussion with local female mining community for the residency and exhibition: Gam / Dong Public Art Project, Gohan-Sabuk, South Korea, 19th October

 

2009

Guest Interlocutor for Mark le-Maistre, for symposium ‘Altmodern’, Goldsmiths College, 17th February

 

2008

Guest Interlocutor for Young-In Hong, for symposium ‘(Im)Materiality’, Goldsmiths College, 15th June

 

 

ARTIST TALKS

 

2021

Research Hub, ACME Studios, Childers Street, London: Artist’s Interview with Elisabeta Ilie, PhD Candidate, Bartlett School of Planning

and Urban Design Lab 1, Graphic Skills Module Coordinator

 

2020

SFK International Art Education, Beijing, China

 

2018

Linda Aloysius in Conversation with Dr Alexandra Kokoli, APT Gallery, Deptford, London

 

2017

APT Gallery, Deptford, London

 

2012

Contemporary Art Society, London

Slade School of Fine Art, London

 

2011

Department of Art and Architecture, K College, University of Greenwich

School of Art & Design, Bath Spa University

 

2008

AVA Gallery, University of East London

 

SELECTED PRESS + REVIEWS

 

2017

‘Linda Aloysius: To Keep Standing’, review of the project Land Operation (2017), authored by Cherry Smyth

 

2012

‘Linda Aloysius: New Model Army’, Re-Title.com Featured Exhibitions

‘A New Approach to Femininity’, Seoul Art Guide: April 2012, review by Yoon Ki Sup

‘Linda Aloysius: New Model Army’, REVma -/+, interview with Kostas Prapoglous

‘Linda Aloysius: New Model Army’, Paul’s Art World, authored by Paul Carey-Kent

Exhibition Catalogue: Gam / Dong (Feel / Move) Public Art Project

 

 

 

AWARDS

 

2021     

Studio Practice Fund Award: Arts Council England Cultural Recovery Fund with DCMS and ACME Studios

 

2020     

Rent Relief Scheme Award: ACME Studios

 

2017     

Ryder Project Space, APT London: Subsidised studio, residency (one year), solo exhibition

 

2015     

Research Support Award: Goldsmiths College, University of London

 

2009     

Artist in Residence: Art Village: Public Art Project, Sabuk-Gohan, South Korea

 

2008     

Research Support Award: Goldsmiths College, University of London

 

2005     

New Work Award (Visual Commission): Arts Council Heritage Lottery Fund

 

2001-2  

MFA Paid Study Leave: Penta Ocean Construction Co. Ltd

 

1995     

Artist Sponsorship: Gabriel & Co., Birmingham: Bespoke production and delivery of parts for the work ‘Yellow Me’

 

ART, CULTURAL + EDUCATIONAL CONSULTANCY 

2021 – ongoing

Wysing Arts Centre: Accessibility Steering Group Member

 

2020 – ongoing

Lecturer + Educational Consultancy, Fine Art, SFK International Art Education, Beijing, China and New York

 

 

CURRENT LECTURESHIPS

2020 – ongoing

 

Equality, Diversity and Inclusion Group: Lead:  Central Saint Martins, UAL, London

 

2020 – ongoing

Lecturer in Postgraduate and Undergraduate Fine Art Contextual Studies and Studio Practice, SFK International Art Education, Beijing, China and New York

 

2012 – ongoing       

Associate Lecturer in Fine Art Contextual Studies, Central Saint Martins, UAL,  London

Associate Lecturer: Theories, Policies and Practices, Teaching and Learning in Art, Design and Communication, UAL,  London

 

RECENT LECTURESHIPS

2018 – 20

Senior Lecturer (Module Leader), BA Fine Art, University of East London

 

 

VISITING LECTURESHIPS

Postgraduate Programmes

 

2013

MA Fine Art: Bath School of Art and Design, Bath Spa University

 

2012

MFA Graduate Sculpture: Slade School of Fine Art, University College London

 

2011

Postgraduate Diploma in Fine Art, Royal Academy Schools, London

 

2008

MA Fine Art, University of East London

 

2006 – 07

MFA Fine Art, Goldsmiths College, University of London

 

 

 

Undergraduate Programmes

 

2007 – 18

BA Fine Art, University of East London 

BA Fine Art (Painting), Camberwell College of Art, London

BA Fine Art, University of East London

BA Fine Art (Top-up), K College, Greenwich University

 

2011

BA Fine Art, Bath School of Art and Design, Bath Spa University

 

2008 – 09

BA Fine Art Studio Practice, Goldsmiths College, University of London

 

 

 

PROFESSIONAL DEVELOPMENT

 

2021

Certificate in Carbon Literacy Standard, Carbon Literacy Trust – via Central Saint Martins, University of the Arts London

 

2006-12

Postgraduate Certificate in Management of Teaching and Learning, Goldsmiths College, University of London

 

 

 

OTHER PROFESSIONAL ROLES

Mentor: Voluntary mentorship to support current educators working in higher education and underprivileged individuals facing barriers to higher education

 

 

 

AFFILIATION

 

2021 –  ongoing 

IASESP – The International Association for the Study of Environment, Space and Place

 

2020 – ongoing 

IAVC – International Association of Visual Cultures: Member

 

2020 – ongoing

RHS – Royal Historical Society: Fellow

 

2015 – ongoing

Contemporary Art Society: Member (by invitation)

 

2013 – ongoing 

Higher Education Academy: Fellow