EDUCATION
2006 – 18
PhD Art (practice led): Goldsmiths College, University of London
2001 – 03
MFA Fine Art: Distinction: Goldsmiths College, University of London
1992 – 95
BA Fine Art (hons): First Class: Manchester Metropolitan University
PRACTICE-LED RESEARCH
Fieldworks
2021
Healing Figures (2021 – current/ongoing)
2020
If Earth is a Mother (2020), Childers Street, Deptford, London
2019
Behind Tate Modern, Morphological Activism and Working-Class Single Mothers (2018-19): Various locations behind Tate Modern, London
2018
With My Body, I Heard the Silenced Song of an Unknown Woman | Con il mio corpo, ho sentito la canzone silente di una donna sconosciuta: Vicolo dell’ Amore, Tuscany
2018
Invisible Labour (2017-18): Creekside, London
2017
Land Operation: Silver Road, London
2015
La Commercial Woman: Carrer del Rec, Barcelona
Solo Exhibitions, Performances and Film Screenings
2018
New Model Army: Invisible Labour, APT Gallery, Deptford, London
2016
“F” is for Fragment: V22, Louise House, London
2012
New Model Army: Madder 139, London
2009
For Pretty Things Go Elsewhere: Grey Area Gallery, Brighton
Group Exhibitions and Film Screenings
2023
Poor Things: Fruitmarket, Edinburgh. Curated by Emma Hart and Dean Kenning
2020
Earth 2020: And Association, Aldgate, London
2019
Four Corners: Credit Suisse, Canary Wharf, London
2017
Touchstone: APT Gallery, London
2016
Reproductive Labour | Parenting Beyond Patriarchy (Part ii): Women’s Art Library, Goldsmiths College, London
2015
Couldn’t Care Less: A Cross Cultural Live Art Project: Deptford Lounge, London. Curated by Something Human in partnership with Deptford Lounge
2013
Object Abuse: Spinach Gallery, London
2012
Jam (1): Gender & Language: The Sugarhouse, Bow Church, London
The Perfect Nude: Wimbledon Space, London. Curated by Dan Coombs and Phillip Allen
2011
A Piece of Paper: Madder 139, London
Creekside Open 2011: APT Gallery, London. Selected by Phyllida Barlow
Model Vs Reality: Fold Gallery, London
2010
Inspired by Soane: Sir John Soane’s Museum, London
2009
Gam/Dong/(Feel/Move): Public Art Project, Sabuk-Gohan, South Korea
About Women: CCCB – Centre for Contemporary Culture, Barcelona
2008
Feminista Mistah: AVA Gallery, East London University, London
Routemaster General: Zabludowicz Collection, London. Curated by Michelle Williams – Gamaker
2006
Linda Aloysius, Alexis Harding, Warren Neidich: Andrew Mummery Gallery, London
2004
Flea Market: Temporary Contemporary, London
2003
Boutique: Two-person site specific project, 118 New Cross Road, London. Curated by Kirsten Lyle
Made in UK: Arch Gallery, Islington, London
Infallible: APT Gallery, London. Curated by Roxy Walsh.
Touring to:
Hatton Gallery, Newcastle (2005),
The Arts Centre, Huddersfield (2004),
Mead Gallery, Coventry (2003)
2002
Shift: site specific project, 38 Ommaney Road, New Cross, London
Doctoral Thesis (Practice Based)
2018
Developing Productive Mimesis in the Age of Screened Oppression: Rhetorics of Flattening and Fragmentation in the Making of New Model Army, Goldsmiths College, University of London
INTERNATIONAL RESIDENCIES
2009
Gam / Dong: Feel / Move, Public Art Project, Art in Village, Sabuk-Gohan, South Korea
RESIDENCIES
2017 – 18
Ryder Project Space: A.P.T. London
2016
Futuro House, Central Saint Martins, London
PUBLICATIONS
Book Chapter
2020
‘New Model Army: Behind Tate Modern: Morphological Activism and Working-Class Single Mothers’. In: Deepwell, K. (ed.). ‘Feminist Activisms and Artivisms’, Netherlands: Valiz, 166-179
Peer-Reviewed Articles
2018
‘New Model Army: Invisible Labour (2017-18)’. In: ‘Feminist Review, Issue 120, Currents’, October 2018, 122-129
2016
‘Not Fallen but Felled’ (2016). In: ‘Museological Review, Issue 20: The Global Microphone’, April 2016, 63-70
Text Art reproduced as Book Section
2005
‘The Rules of The Shop’. In: Walsh, R. (ed.). Infallible, In Search of the Real George Eliot, Birmingham: ARTicle Press, 8-9
Editorial Contribution
2013
‘Now We Are A Conversation’: Guest Writer: University of East London BA Fine Art Degree Show Catalogue
Guest Peer Reviewer, E-Sharp Magazine, University of Glasgow
CONFERENCES + SYMPOSIA
2022
‘Sculpting as Healing’, Maternal Bodies in the Long Nineteenth Century, The Foundling Museum, London, 19th April
2019
‘When Girlhood is Motherhood: The Desiring & Creative Gazes of Working-Class Single Mothers’, Girling Feminism: Towards New Theories of Girlhood, Glasgow University, 7th June
2018
‘(Im) Personification in the Making of New Model Army’, Personification Across Disciplines, University of Durham, 17th – 18thSeptember
‘Morphological Activism’, Artivisms and Activisms, Middlesex University, London, 2nd July
‘New Model Army: Invisible Labour’, In Your Own Time: The Production of Body and Time Under Capitalism, MRes Art: Theory and Philosophy, Central Saint Martins, London, 17th May
2017
‘Intimacy and Post-Internet Cities: Art and Women’s Dirty Work in the Digital Age’, Post Internet Cities, MAAT – Museum of Art, Architecture and Technology, Lisbon, 26th May
2016
Reproductive Labour | Parenting Beyond Patriarchy’. Co-convenor and paper presented for Goldsmiths Graduate Festival, Goldsmiths College, University of London, 9th May
2015
“F” is for Fragment’, Goldsmiths College Research Symposium ‘Un-themed’, Goldsmiths College, University of London, 23rd – 24th November
Aloysius, L. ‘Reproductive Labour, Motherhood and Art’, Motherhood, Deptford Lounge, London, 5th November
‘We and “We”: A Feminist Analysis of the Economics of Care’. Comparing We’s Community, Cosmopolitanism and Emancipation in a Global Context, Centre for Comparative Studies, Faculty of Letters, Lisbon University, Lisbon, 26th – 27th May
2011
‘Irigaray’s “To” ‘, First Global Conference: Gender and Love, Mansfield College, University of Oxford, 19th – 21st September
2010
‘Notes on a Phallus’, Co-convenor and paper presented for : In/Out, Shake It All About: Objects, Artists and Ontology, Goldsmiths College Research Symposium, University of London, 9th – 10th May
2008
‘Criticality’s Crisis of Institutionalisation’, Art Relations – Revisiting Crucial Concepts, Freie University, Berlin, Germany, 30th October – 1st November
‘The Wilderness Works’, Co-convenor and paper presented for: Gender, Goldsmiths College Research Symposium, University of London, 8th – 10th December
‘Other Artists’, Fine Art Frameworks II: Contemporary Practices, Theories and Curatorial Strategies, Jerwood Space, London, 8th July
GUEST PANELLIST /INTERLOCUTOR/ LEAD DISCUSSANT
2016
Lead Discussant: Research discussion with MRes Art and BA Fine Art Students on the effects of housing on studying, Futuro House, Central Saint Martins, London, 17th March
2015
Guest panelist for ‘Motherhood’, with Professor Carmine Pariante and artist Lynn Lu, for the event ‘Couldn’t Care Less: A Cross Cultural Live Art Project’, Deptford Lounge, London, 7th November
2009
Lead Discussant: Research discussion with local female mining community for the residency and exhibition: Gam / Dong Public Art Project, Gohan-Sabuk, South Korea, 19th October
2009
Guest Interlocutor for Mark le-Maistre, for symposium ‘Altmodern’, Goldsmiths College, 17th February
2008
Guest Interlocutor for Young-In Hong, for symposium ‘(Im)Materiality’, Goldsmiths College, 15th June
ARTIST TALKS
2021
Research Hub, ACME Studios, Childers Street, London: Artist’s Interview with Elisabeta Ilie, PhD Candidate, Bartlett School of Planning
and Urban Design Lab 1, Graphic Skills Module Coordinator
2020
SFK International Art Education, Beijing, China
2018
Linda Aloysius in Conversation with Dr Alexandra Kokoli, APT Gallery, Deptford, London
2017
APT Gallery, Deptford, London
2012
Contemporary Art Society, London
Slade School of Fine Art, London
2011
Department of Art and Architecture, K College, University of Greenwich
School of Art & Design, Bath Spa University
2008
AVA Gallery, University of East London
SELECTED PRESS + REVIEWS
2023
‘John Moores Painting Prize 2023’, Patrick Kirk-Smith, Art In Liverpool, 12th October, 2023
‘Poor Things at Fruitmarket’, Hannah Udall, 30th March, 2023
https://studentnewspaper.org/review-poor-things-at-fruitmarket/
‘Poor Things Opens at Fruitmarket’ Phyllis Stephens, The Edinburgh Reporter, 3rd March 2023
2017
‘Linda Aloysius: To Keep Standing’, review of the project Land Operation (2017), authored by Cherry Smyth
2012
‘Linda Aloysius: New Model Army’, Re-Title.com Featured Exhibitions
‘A New Approach to Femininity’, Seoul Art Guide: April 2012, review by Yoon Ki Sup
‘Linda Aloysius: New Model Army’, REVma -/+, interview with Kostas Prapoglous
‘Linda Aloysius: New Model Army’, Paul’s Art World, authored by Paul Carey-Kent
Exhibition Catalogue: Gam / Dong (Feel / Move) Public Art Project
AWARDS
2021
Studio Practice Fund Award: Arts Council England Cultural Recovery Fund with DCMS and ACME Studios
2020
Rent Relief Scheme Award: ACME Studios
2017
Ryder Project Space, APT London: Subsidised studio, residency (one year), solo exhibition
2015
Research Support Award: Goldsmiths College, University of London
2009
Artist in Residence: Art Village: Public Art Project, Sabuk-Gohan, South Korea
2008
Research Support Award: Goldsmiths College, University of London
2005
New Work Award (Visual Commission): Arts Council Heritage Lottery Fund
2001-2
MFA Paid Study Leave: Penta Ocean Construction Co. Ltd
1995
Artist Sponsorship: Gabriel & Co., Birmingham: Bespoke production and delivery of parts for the work ‘Yellow Me’
ART, CULTURAL + EDUCATIONAL CONSULTANCY
2021 – ongoing
Wysing Arts Centre: Accessibility Steering Group Member
2020 – ongoing
Lecturer + Educational Consultancy, Fine Art, SFK International Art Education, Beijing, China and New York
CURRENT LECTURESHIPS
2020 – ongoing
Equality, Diversity and Inclusion Group: Lead: Central Saint Martins, UAL, London
2020 – ongoing
Lecturer in Postgraduate and Undergraduate Fine Art Contextual Studies and Studio Practice, SFK International Art Education, Beijing, China and New York
2012 – ongoing
Associate Lecturer in Fine Art Contextual Studies, Central Saint Martins, UAL, London
Associate Lecturer: Theories, Policies and Practices, Teaching and Learning in Art, Design and Communication, UAL, London
RECENT LECTURESHIPS
2018 – 20
Senior Lecturer (Module Leader), BA Fine Art, University of East London
VISITING LECTURESHIPS
Postgraduate Programmes
2013
MA Fine Art: Bath School of Art and Design, Bath Spa University
2012
MFA Graduate Sculpture: Slade School of Fine Art, University College London
2011
Postgraduate Diploma in Fine Art, Royal Academy Schools, London
2008
MA Fine Art, University of East London
2006 – 07
MFA Fine Art, Goldsmiths College, University of London
Undergraduate Programmes
2007 – 18
BA Fine Art, University of East London
BA Fine Art (Painting), Camberwell College of Art, London
BA Fine Art, University of East London
BA Fine Art (Top-up), K College, Greenwich University
2011
BA Fine Art, Bath School of Art and Design, Bath Spa University
2008 – 09
BA Fine Art Studio Practice, Goldsmiths College, University of London
PROFESSIONAL DEVELOPMENT
2021
Certificate in Carbon Literacy Standard, Carbon Literacy Trust – via Central Saint Martins, University of the Arts London
2006-12
Postgraduate Certificate in Management of Teaching and Learning, Goldsmiths College, University of London
OTHER PROFESSIONAL ROLES
Mentor: Voluntary mentorship to support current educators working in higher education and underprivileged individuals facing barriers to higher education
AFFILIATION
2021 – ongoing
IASESP – The International Association for the Study of Environment, Space and Place
2020 – ongoing
IAVC – International Association of Visual Cultures: Member
2020 – ongoing
RHS – Royal Historical Society: Fellow
2015 – ongoing
Contemporary Art Society: Member (by invitation)
2013 – ongoing
Higher Education Academy: Fellow