EDUCATION
• 2026 · Garden Design: Plant Knowledge Unit Level 1, Capel Manor online, London
• 2025 · Principles of Plant Growth and Development, RHS Level II, Capel Manor, The Regent’s Park, London
• 2024 · Practical Horticulture, RHS Level II, Capel Manor, The Regent’s Park, London
• 2018 · PhD Art, Goldsmiths College, University of London
• 2012 · PG Cert in Management of Teaching and Learning, Goldsmiths College, University of London
• 2003 · MFA Fine Art — Distinction, Goldsmiths College, University of London
• 1995 · BA Fine Art Hons — First Class, Manchester Metropolitan University
SELECTED SOLO EXHIBITIONS + SPATIAL INTERVENTIONS
• 2026 · Sempre-La-Luce, Tuscany, Italy — Self-Initiated Site-Sensitive Practice-Led Research Project
• 2021–24 · Healing Figures, Various locations, London — Uncommissioned spatial intervention
• 2021 · A Healing Figure, Evelyn Street, Deptford, London — Uncommissioned spatial intervention
• 2020 · A Healing Figure, Evelyn Street, Deptford, London — Uncommissioned spatial intervention; elements subsequently featured in Earth, an online group exhibition hosted by AND Event Space, Aldgate, London
• 2019 · Behind Tate Modern, Morphological Activism and Working-Class Single Mothers 2018–19, Tate Modern Precincts, London — Uncommissioned spatial intervention; elements subsequently published in Feminist Artivisms and Artivisms, edited by Professor Katy Deepwell, Valiz, 2020
• 2018 · With My Body, I Heard the Silenced Song of an Unknown Woman | Con il mio corpo, ho sentito la canzone silente di una donna sconosciuta, Vicolo dell’Amore, Tuscany, Italy — Uncommissioned spatial intervention
• 2018 · New Model Army: Invisible Labour, APT Gallery, Deptford, London — Supported solo exhibition and artist residency; awarded through subsidized studio space and gallery provision
• 2018 · Invisible Labour 2017–18, Various locations outside A.P.T. studios and gallery, Creekside, London — Independent street interventions; documentation subsequently featured in Feminist Review, Issue 120, Sage Publications, 2018
• 2017 · Land Operation, Various locations surrounding the grounds of the former V22 studios, Silver Road, London — Uncommissioned spatial intervention; reviewed by art critic and poet Cherry Smyth: text available here
• 2016 · "F" is for Fragment, V22, Louise House, London — Solo exhibition and dialogue with artwork
• 2015 · La Commercial Woman, Carrer del Rec, Barcelona, Spain — Uncommissioned spatial intervention
• 2012 · New Model Army, Madder 139, St Lukes, London — Solo exhibition
• 2009 · For Pretty Things Go Elsewhere, Grey Area Gallery, Brighton — Solo exhibition
SELECTED GROUP EXHIBITIONS
• 2023 · John Moores Painting Prize 2023, The Walker Art Gallery, Liverpool — Selected Artist
• 2023 · Poor Things, Fruitmarket Gallery, Edinburgh — Curated by Emma Hart and Dean Kenning; including an internal process-led presentation and dialogue exploring lived experience and studio practice for exhibiting artists and gallery staff
• 2020 · Earth 1970–2020, AND Event Space, Aldgate, London
• 2019 · Four Corners, Credit Suisse, London
• 2017 · Touchstone, APT Gallery, Deptford, London
• 2016 · Reproductive Labour: Parenting Beyond Patriarchy, Women's Art Library, Goldsmiths, London — Exhibiting Artist and Symposium Co- Organizer; supported by a Goldsmiths College Research Support Award
• 2015 · Couldn't Care Less, Deptford Lounge, London — Curated by Annie Kwan and Something Human; commissioned by Something Human and Deptford Lounge; featuring a solo dialogue with artwork, research presentation, and panel debate with Professor Carmine Pariante, King's College London, and artist Lynn Lu
• 2012 · The Perfect Nude, Wimbledon Space, London — Curated by Dan Coombs and Phillip Allen
• 2011 · A Piece of Paper, Madder 139, London
• 2011 · Creekside Open 2011, APT Gallery, London — Selected by Phyllida Barlow
• 2011 · Model Vs Reality, Fold Gallery, London
• 2010 · Inspired by Soane, Sir John Soane's Museum, London
• 2009 · About Women, CCCB — Centre for Contemporary Culture, Barcelona, Spain
• 2008 · Routemaster General, Zabludowicz Collection, London — Curated by Michelle Williams Gamaker
• 2006 · Linda Aloysius, Alexis Harding, Warren Neidich, Andrew Mummery Gallery, London
• 2003 · Boutique, 118 New Cross Road, London — Two-person site-specific project curated by Kirsten Lyle; commissioned by Deptford X Contemporary Visual Arts Festival
• 2003 · Infallible, APT Gallery, London — Curated by Roxy Walsh; featuring a specific work commissioned by the curator through the Arts Council EnglandNew Work Award; touring subsequently to Hatton Gallery, Newcastle, 2005; The Arts Centre, Huddersfield, 2004; Mead Gallery, Coventry, 2003
PERFORMATIVE LECTURES, SITE SENSITIVE INQUIRIES + PANEL DEBATES
• 2025 · 'Rewilding Art Education': Culture Cooperative: Moments, Movements and Monumental Shifts, Feral Art School, Hull — Critical Presentation and Dialogue
• 2023 · Touching Untouchables: Touch-Space, Henry Moore Foundation, Leeds — Invited Speaker; Practice-Led Intervention and Talk
• 2022 · Sculpting as Healing: Maternal Bodies in the Long Nineteenth Century, The Foundling Museum, London, 19 April — Invited Speaker; Conference Research Intervention
• 2021 · Artist's Critical Dialogue, SFK International, China — Invited Speaker
• 2019 · When Girlhood is Motherhood: The Desiring and Creative Gazes of Working-Class Single Mothers, Girling Feminism: Towards New Theories of Girlhood, Glasgow University, 7 June — Invited Speaker; Project Presentation and Dialogue with Girlhood Gang
• 2018 · (Im) Personification in the Making of New Model Army, Personification Across Disciplines, University of Durham, 17–18 September — Conference Paper
• 2018 · Morphological Activism, Artivisms and Activisms, Middlesex University, London, 2 July — Invited Speaker; Conference Paper
• 2018 · New Model Army: Invisible Labour, In Your Own Time: The Production of Body and Time Under Capitalism, MRes Art: Theory and Philosophy, Central Saint Martins, London, 17 May — Research Presentation
• 2017 · Intimacy and Post-Internet Cities: Art and Women's Dirty Work in the Digital Age, Post Internet Cities, MAAT — Museum of Art, Architecture and Technology, Lisbon, Portugal, 26 May — Research Presentation
• 2016 · Reproductive Labour | Parenting Beyond Patriarchy, Goldsmiths Graduate Festival, Goldsmiths College, University of London, 9 May — Co- convenor and paper presented
• 2016 · Futuro House, Central Saint Martins, London, 17 March — Lead Discussant; research discussion with MRes Art and BA Fine Art students on the effects of housing on studying
• 2015 · "F" is for Fragment, Goldsmiths College Research Symposium Un- themed, Goldsmiths College, University of London, 23–24 November — Research Paper
• 2015 · Reproductive Labour, Motherhood and Art, Motherhood, Deptford Lounge, London, 5 November — Research Presentation
• 2015 · Couldn't Care Less: A Cross Cultural Live Art Project, Deptford Lounge, London, 7 November — Guest Panellist for 'Motherhood' with Professor Carmine Pariante and artist Lynn Lu
• 2015 · We and "We": A Feminist Analysis of the Economics of Care, Comparing We's Community, Cosmopolitanism and Emancipation in a GlobalContext, Centre for Comparative Studies, Faculty of Letters, Lisbon University, Lisbon, Portugal, 26–27 May — Conference Paper
• 2011 · Irigaray's "To", First Global Conference: Gender and Love, Mansfield College, University of Oxford, 19–21 September — Conference Paper
• 2010 · Notes on a Phallus, In/Out, Shake It All About: Objects, Artists and Ontology, Goldsmiths College Research Symposium, University of London, 9–10 May — Co-convenor and paper presented
• 2009 · Gam / Dong Public Art Project, Gohan-Sabuk, South Korea, 19 October — Lead Discussant; research discussion with local female mining community for the residency and exhibition
• 2009 · Altmodern Symposium, Goldsmiths College, University of London, 17 February — Guest Interlocutor for Mark le-Maistre
• 2008 · Criticality's Crisis of Institutionalisation, Art Relations — Revisiting Crucial Concepts, Freie University, Berlin, Germany, 30 October – 1 November — Conference Paper
• 2008 · The Wilderness Works, Gender, Goldsmiths College Research Symposium, University of London, 8–10 December — Co-convenor and paper presented
• 2008 · Other Artists, Fine Art Frameworks II: Contemporary Practices, Theories and Curatorial Strategies, Jerwood Space, London, 8 July — Seminar Presentation
• 2008 · (Im)Materiality Symposium, Goldsmiths College, University of London, 15 June — Guest Interlocutor for Young-In Hong
AWARDS, RESIDENCIES + FUNDED PROJECTS
• 2023 · Henry Moore Foundation — Honorarium, travel, and accommodation
• 2023 · Fruitmarket Gallery, Edinburgh — Artist fee, travel, accommodation, and per diems
• 2021 · Arts Council England Cultural Recovery Fund with DCMS and ACME — Studio Practice Fund award
• 2020 · ACME — Rent Relief Scheme Award
• 2017–18 · Ryder Project Space / A.P.T London — Subsidised artist residency and solo exhibition award; subsidized studio and gallery funding
• 2016 · Futuro House, Central Saint Martins, London — Artist residency and student workshop leader
• 2016 · Goldsmiths College, University of London — Research Support Award for the Reproductive Labour: Parenting Beyond Patriarchy exhibition and symposium
• 2015 · Goldsmiths College, University of London — Research Support Award
• 2009 · Gangwon Art and Culture Foundation — International artist residency; Gam / Dong: Feel / Move, Art in Village Public Art Project, Sabuk–Gohan, South Korea; featuring artist fee, travel, accommodation, studio space, and group exhibition
• 2008 · Goldsmiths College, University of London — Research Support Award
• 2005 · Arts Council Heritage Lottery Fund — New Work Award; visual commission
• 2003 · Arts Council England — New Work Award; visual commission for the Infallible exhibition project curated by Roxy Walsh
• 2001–02 · Penta Ocean Construction Co. Ltd — Paid study leave award to support MFA Fine Art studies at Goldsmiths College
• 1995 · Gabriel and Co., Birmingham — Artist sponsorship; bespoke engineering production and award of structural components for final degree exhibition
SELECTED PUBLICATIONS
• 2023 · Book Chapter: 'Linda Aloysius' in Poor Things, published by Fruitmarket, Edinburgh
• 2023 · Book Chapter: 'Linda Aloysius' in John Moores Painting Prize 2023, published by National Museums Liverpool
• 2020 · Book Chapter: 'New Model Army: Behind Tate Modern: Morphological Activism and Working-Class Single Mothers' in Feminist Activisms and Artivisms, edited by Katy Deepwell, published by Valiz, Netherlands — Photographic documentation and reflective text on the Behind Tate Modern interventions
• 2018 · Peer-Reviewed Journal Article: 'New Model Army: Invisible Labour
• 2017-18' in Feminist Review, Issue 120 — Photographic documentation and reflective text on the APT London street interventions
• 2016 · Peer-Reviewed Journal Article: 'Not Fallen but Felled' in Museological Review, Issue 20
• 2005 · Book Feature: Visual work co-created with Tegan Aloysius published in Infallible: In Search of the Real George Eliot, edited by Roxy Walsh, ARTicle Press, UK
SELECTED PRESS + BIBLIOGRAPHY
• 2023 · Poor Things, Zarina Muhammad and Gabrielle de la Puente, The White Pube, Fruitmarket, Edinburgh
• 2023 · Review: John Moores Painting Prize 2023, Patrick Kirk-Smith, Art in Liverpool, 12 October 2023
• 2023 · Poor Things, David MacMillan, The Scotsman, 6 March 2023 — Exhibition review
• 2023 · Poor Things Opens at Fruitmarket, Phyllis Stephens, The Edinburgh Reporter, 7 March 2023 — Exhibition review
• 2017 · Linda Aloysius: To Keep Standing, Cherry Smyth — Critical review of the spatial intervention Land Operation 2017
• 2012 · Linda Aloysius: New Model Army, Re-Title.com — Featured exhibitions review
• 2012 · A New Approach to Femininity, Yoon Ki Sup, Seoul Art Guide, April 2012 — Critical review
• 2012 · Linda Aloysius: New Model Army, Kostas Prapoglou, REVma -/+ — Featured artist interview
• 2012 · Linda Aloysius: New Model Army, Paul Carey-Kent, Paul's Art World — Exhibition review
• 2012 · Exhibition Catalogue: Gam / Dong | Feel / Move Public Art Project — Institutional publication
COLLECTIONS
• Works held in private collections across the United Kingdom + Europe
ACADEMIC APPOINTMENTS + LECTURESHIPS
• 2025–26 · Visiting Practitioner, BA Fine Art Studio Practice, Central Saint Martins, University of the Arts London
• 2025–26 · Associate Lecturer, Postgraduate Creative Education, Teaching, Learning and Employability Exchange, University of the Arts London
• 2012–25 · Associate Lecturer, BA Fine Art Contextual Studies, Central Saint Martins, UAL, London
• 2020–25 · Postgraduate and Undergraduate Lecturer in Fine Art, Sphinx International Art Education, China / New York
• 2018–20 · Senior Lecturer and Module Leader: Fine Art Contextual Studies, Department of Fine Art, University of East London
• 2007–20 · Regular Visiting Lecturer, MA and BA Fine Art, School of Architecture and Visual Arts, University of East London
• 2014–15 · Visiting Lecturer, BA Fine Art — Access and Progression / Widening Participation, Central Saint Martins, UAL, London
• 2013 · Visiting Lecturer, MA Fine Art — Specialist Masters Workshop, Bath School of Art and Design
• 2012 · Visiting Lecturer, MFA Graduate Sculpture, Slade School of Fine Art, London
• 2012 · Lecturer for 0.6 Permanent Staff Cover, BA Fine Art — Painting, Camberwell College of Arts, London
• 2012 · Visiting Lecturer, BA Fine Art — Top-up, K College, Greenwich University, London
• 2011 · Visiting Lecturer, Postgraduate Diploma in Fine Art, Royal Academy Schools, London
• 2011 · Visiting Lecturer, BA Fine Art, Bath School of Art and Design, Bath Spa University
• 2008–09 · Teaching Assistant, BA Fine Art Studio Practice, Goldsmiths College, University of London
• 2006–07 · Teaching Assistant, MFA Fine Art, Goldsmiths College, University of London
INSTITUTIONAL STEERING + ADVISORY ROLES
• 2020–24 · Lead, Sub-Group: Focused Review of Vision and Strategy, Equality, Diversity and Inclusion Group, Central Saint Martins, UAL, London
• 2021–22 · Accessibility Steering Group Member, Wysing Arts Centre, Cambridge