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EDUCATION

2006 – 18

PhD Art (practice led): Goldsmiths College, University of London

2001 – 03

MFA Fine Art: Distinction: Goldsmiths College, University of London

1992 – 95

BA Fine Art (hons): First Class: Manchester Metropolitan University

 

PRACTICE-LED RESEARCH

Fieldworks

2020

If Earth is a Mother (2020), Childers Street, Deptford, London

2019

Behind Tate Modern, Morphological Activism and Working-Class Single Mothers (2018-19): Various locations behind Tate Modern, London

2018

With My Body, I Heard the Silenced Song of an Unknown Woman | Con il mio corpo, ho sentito la canzone silente di una donna sconosciuta: Vicolo dell’ Amore, Tuscany

2018

Invisible Labour (2017-18): Creekside, London

2017

Land Operation: Silver Road, London

2015

La Commercial Woman: Carrer del Rec, Barcelona

 

Doctoral Thesis

2018

Developing Productive Mimesis in the Age of Screened Oppression: Rhetorics of Flattening and Fragmentation in the Making of New Model Army, Goldsmiths College, University of London

 

Solo Exhibitions, Performances and Film Screenings

2018

New Model Army: Invisible Labour, APT Gallery, Deptford, London

2016

 “F” is for Fragment: V22, Louise House, London

2012

New Model Army: Madder 139, London

2009

For Pretty Things Go Elsewhere: Grey Area Gallery, Brighton

 

Group Exhibitions and Film Screenings

2020

Earth 2020: And Association, Aldgate, London

2019

Four Corners: Credit Suisse, Canary Wharf, London

2017

Touchstone: APT Gallery, London

2016

Reproductive Labour | Parenting Beyond Patriarchy (Part ii): Women’s Art Library, Goldsmiths College, London

2015

Couldn’t Care Less: A Cross Cultural Live Art Project: Deptford Lounge, London. Curated by Something Human in partnership with Deptford Lounge

2013

Object Abuse: Spinach Gallery, London

2012

Jam (1): Gender & Language: The Sugarhouse, Bow Church, London

The Perfect Nude: Wimbledon Space, London. Curated by Dan Coombs and Phillip Allen

2011

A Piece of Paper: Madder 139, London

Creekside Open 2011: APT Gallery, London. Selected by Phyllida Barlow

Model Vs Reality: Fold Gallery, London

2010

Inspired by Soane: Sir John Soane’s Museum, London

2009

Gam/Dong/(Feel/Move): Public Art Project, Sabuk-Gohan, South Korea

About Women: CCCB – Centre for Contemporary Culture, Barcelona

2008

Feminista Mistah: AVA Gallery, East London University, London

Routemaster General: Zabludowicz Collection, London. Curated by Michelle Williams – Gamaker

2006

Linda Aloysius, Alexis Harding, Warren Neidich: Andrew Mummery Gallery, London

2004

Flea Market: Temporary Contemporary, London

2003

Boutique: Two person site specific project, 118 New Cross Road, London. Curated by Kirsten Lyle

Made in UK: Arch Gallery, Islington, London

Infallible: APT Gallery, London. Curated by Roxy Walsh.

Touring to:

Hatton Gallery, Newcastle (2005),

The Arts Centre, Huddersfield (2004),

Mead Gallery, Coventry (2003)

2002

Shift: site specific project, 38 Ommaney Road, New Cross, London

 

PUBLICATIONS

Book Chapter

2020

‘New Model Army: Behind Tate Modern: Morphological Activism and Working-Class Single Mothers’. In: Deepwell, K. (ed.). ‘Feminist Activisms and Artivisms’, Netherlands: Valiz, 166-179

 

Peer Reviewed Articles

2018

‘New Model Army: Invisible Labour (2017-18)’. In: ‘Feminist Review, Issue 120, Currents’, October 2018, 122-129

2016

‘Not Fallen but Felled’ (2016). In: ‘Museological Review, Issue 20: The Global Microphone’, April 2016, 63-70

 

Text Art reproduced as Book Section

2005

‘The Rules of The Shop’. In: Walsh, R. (ed.). Infallible, In Search of the Real George Eliot, Birmingham: ARTicle Press, 8-9

 

Editorial Contribution

2013

‘Now We Are A Conversation’: Guest Writer: University of East London BA Fine Art Degree Show Catalogue

Guest Peer Reviewer, E-Sharp Magazine, University of Glasgow

 

 

CONFERENCES + SYMPOSIA

2021

‘An Originally Working-Class Single Mother Artist on Overcoming the Violent, Patriarchal Absenting of the Maternal Gazes of 19th Century Working Class Single Mother Artists’, Maternal Bodies in the Long Nineteenth Century, The Foundling Museum, London (Upcoming, Originally scheduled for 21st April 2020 – Postponed due to Covid-19)

2020

‘New Model Army and Morphological Activism: Material and Sculptural Indeterminacy For Combatting Embodied Screened Oppression (Working Title)’, Indeterminacy, Duncan Jordanstone College of Art and Design, University of Dundee, 13th -15th November

‘Re-Thinking Fertility’ (Working Title), New Directions in Feminist Thought: In Times of Urgency, Anger and Activism, London School of Economics, in association with Goldsmiths College and City, London University (Upcoming, 31st March 2020 – Postponed due to Covid-19)

2019

‘When Girlhood is Motherhood: The Desiring & Creative Gazes of Working-Class Single Mothers’, Girling Feminism: Towards New Theories of Girlhood, Glasgow University, 7th June

2018

‘(Im) Personification in the Making of New Model Army’, Personification Across Disciplines, University of Durham, 17th – 18thSeptember

‘Morphological Activism’, Artivisms and Activisms, Middlesex University, London, 2nd July

‘New Model Army: Invisible Labour’, In Your Own Time: The Production of Body and Time Under Capitalism, MRes Art: Theory and Philosophy, Central Saint Martins, London, 17th May

2017   

‘Intimacy and Post-Internet Cities: Art and Women’s Dirty Work in the Digital Age’, Post Internet Cities, MAAT – Museum of Art, Architecture and Techonology, Lisbon, 26th May

2016

‘Reproductive Labour | Parenting Beyond Patriarchy’. Co-convenor and paper presented for Goldsmiths Graduate Festival, Goldsmiths College, University of London, 9th May

2015

‘ “F” is for Fragment’, Goldsmiths College Research Symposium ‘Un-themed’, Goldsmiths College, University of London, 23rd – 24th November

Aloysius, L. ‘Reproductive Labour, Motherhood and Art’, Motherhood, Deptford Lounge, London, 5th November

‘We and “We”: A Feminist Analysis of the Economics of Care’. Comparing We’s Community, Cosmopolitanism and Emancipation in a Global Context, Centre for Comparative Studies, Faculty of Letters, Lisbon University, Lisbon, 26th – 27thMay

2011

‘Irigaray’s “To” ‘, First Global Conference: Gender and Love, Mansfield College, University of Oxford, 19th – 21st September

2010

‘Notes on a Phallus’, Co-convenor and paper presented for : In/Out, Shake It All About: Objects, Artists and Ontology, Goldsmiths College Research Symposium, University of London, 9th – 10th May

2008

‘Criticality’s Crisis of Institutionalisation’, Art Relations – Revisiting Crucial Concepts, Freie University, Berlin, Germany, 30thOctober – 1st November

‘The Wilderness Works’, Co-convenor and paper presented for: Gender, Goldsmiths College Research Symposium, University of London, 8th – 10th December

‘Other Artists’, Fine Art Frameworks II: Contemporary Practices, Theories and Curatorial Strategies, Jerwood Space, London, 8th July

 

INTERNATIONAL RESIDENCIES

2009

Gam / Dong: Feel / Move, Public Art Project, Art in Village, Sabuk-Gohan, South Korea

 

RESIDENCIES

2017

Ryder Project Space: A.P.T. London

2016

Futuro House, Central Saint Martins, London

 

GUEST PANELLIST / INTERVIEWER / LEAD DISCUSSANT

2016

Lead Discussant: Research discussion with MRes Art and BA Fine Art Students on the effects of housing on studying, Futuro House, Central Saint Martins, London, 17th March

2015

Guest panelist for ‘Motherhood’, with Professor Carmine Pariante and artist Lynn Lu, for the event ‘Couldn’t Care Less: A Cross Cultural Live Art Project’, Deptford Lounge, London, 7th November

2009

Lead Discussant: Research discussion with local female mining community for the residency and exhibition: Gam / Dong Public Art Project, Gohan-Sabuk, South Korea, 19th October

2009

Guest Interlocutor for Mark le-Maistre, for symposium ‘Altmodern’, Goldsmiths College, 17th February

2008

Guest Interlocutor for Young-In Hong, for symposium ‘(Im)Materiality’, Goldsmiths College, 15th June

 

ARTIST TALKS

2018

Linda Aloysius in Conversation with Dr Alexandra Kokoli, APT Gallery, Deptford, London

2017

APT Gallery, Deptford, London

2012

Contemporary Art Society, London

Slade School of Fine Art, London

2011

Department of Art and Architecture, K College, University of Greenwich

School of Art & Design, Bath Spa University

2008

AVA Gallery, University of East London

 

SELECTED PRESS + REVIEWS

2017

‘Linda Aloysius: To Keep Standing’, by Cherry Smyth

2012

‘Linda Aloysius: New Model Army’, Re-Title.com Featured Exhibitions

‘A New Approach to Femininity’, Seoul Art Guide

‘Linda Aloysius: New Model Army’, Kostas Prapoglous, REVma -/+

‘Linda Aloysius: New Model Army’, Paul’s Art World, Paul Carey-Kent

Exhibition Catalogue: Gam / Dong (Feel / Move) Public Art Project

 

AWARDS

2015

Research Support Award: Goldsmiths College (Exhibition and Panel with Guest Speaker Nina Power)

2009

Artist in Residence: Art in Village: Public Art Project, Sabuk-Gohan, South Korea: Funded by Mecena Korea and High 1 Resort, Korea

2008

Research Support Award: Goldsmiths College: Travel to Berlin

2005

New Work Award (Visual Commission): Arts Council Heritage Lottery Fund

2001 – 02

MFA Research Leave: Penta Ocean Construction Co. Ltd.

1995

Artist Sponsorship: Gabriel & Co., Birmingham

 

ACADEMIC APPOINTMENTS

Current

2018 – ongoing

Senior Lecturer in Fine Art, University of East London

2013 – ongoing

Associate Lecturer in Fine Art Central Saint Martins, University of The Arts London

Associate Lecturer and Personal Tutor in MA Academic Practice in Art, Design and Communication, University of The Arts London

 

VISITING LECTURESHIPS

Postgraduate Programmes

2013

MA Fine Art: Bath School of Art and Design, Bath Spa University

2012

MFA Graduate Sculpture: Slade School of Fine Art, University College London

2011

Postgraduate Diploma in Fine Art, Royal Academy Schools, London

2008

MA Fine Art, University of East London

2006 – 07

MFA Fine Art, Goldsmiths College, University of London

 

Undergraduate Programmes

2007 – 18

BA Fine Art, University of East London

2012

BA Fine Art (Painting), Camberwell College of Art, London

BA Fine Art, University of East London

BA Fine Art (Top-up), K College, Greenwich University

2011

BA Fine Art, Bath School of Art and Design, Bath Spa University

2008 – 09

BA Fine Art Studio Practice, Goldsmiths College, University of London

 

PROFESSIONAL DEVELOPMENT

2006-12

Postgraduate Certificate in Management of Teaching and Learning, Goldsmiths College, University of London

 

AFFILIATION

2020 – ongoing

Royal Historical Society: Fellow

IAVC – International Association of Visual Cultures: Member

2015 – ongoing

Contemporary Art Society: Member (by invitation)

2013 – ongoing

Higher Education Academy: Fellow