Fieldworks
2021 Healing Figures (2021-current/ongoing)
2020 If Earth is a Mother (2020), Childers Street, Deptford, London
2019 Behind Tate Modern, Morphological Activism and Working-Class Single Mothers
(2018-2019) Various locations behind Tate Modern, London
2018 With My Body, I Heard the Silenced Song of an Unknown Woman | Con il mio corpo, ho sentito la canzone silente di una donna sconosciuta: Vicolo dell’ Amore, Tuscany
Invisible Labour (2017-18): Creekside, London
2017 Land Operation: Silver Road, London
2015 La Commercial Woman: Carrer del Rec, Barcelona
Gallery + Museum Exhibitions
Solo
2018 New Model Army: Invisible Labour, APT Gallery, Deptford, London
2016 “F” is for Fragment: V22, Louise House, London
2012 New Model Army: Madder 139, London
2009 For Pretty Things Go Elsewhere: Grey Area Gallery, Brighton
Group
2023 John Moores Painting Prize 2023: Walker Art Gallery, Liverpool
2023 Poor Things: Fruitmarket, Edinburgh. Curated by Emma Hart and Dean Kenning
2020 Earth 2020: And Association, Aldgate, London
2019 Four Corners: Credit Suisse, Canary Wharf, London
2017 Touchstone: APT Gallery, London
2016 Reproductive Labour | Parenting Beyond Patriarchy (Part ii): Women’s Art Library,Goldsmiths College, London
2015 Couldn’t Care Less: A Cross Cultural Live Art Project: Deptford Lounge, London. Curated by Something Human in partnership with Deptford Lounge
2013 Object Abuse: Spinach Gallery, London
2012 Jam (1): Gender & Language: The Sugarhouse, Bow Church, London
The Perfect Nude: Wimbledon Space, London. Curated by Dan Coombs and Phillip Allen
2011 A Piece of Paper: Madder 139, London
Creekside Open 2011: APT Gallery, London. Selected by Phyllida Barlow Model Vs Reality: Fold Gallery, London
2010 Inspired by Soane: Sir John Soane’s Museum, London
2009 Gam/Dong/(Feel/Move): Public Art Project, Sabuk-Gohan, South Korea
About Women: CCCB – Centre for Contemporary Culture, Barcelona
2008 Feminista Mistah: AVA Gallery, East London University, London
Routemaster General: Zabludowicz Collection, London. Curated by Michelle Williams-Gamaker
2006 Linda Aloysius, Alexis Harding, Warren Neidich: Andrew Mummery Gallery, London
2004 Flea Market: Temporary Contemporary, London
2003 Boutique: Two-person site specific project, Deptford X: 118 New Cross Road, London.
Curated by Kirsten Lyle
Made in UK: Arch Gallery, Islington, London
Infallible: APT Gallery, London. Curated by Roxy Walsh.
Touring to
Hatton Gallery, Newcastle (2005)
The Arts Centre, Huddersfield (2004)
Mead Gallery, Coventry (2003)
2002 Shift: site specific project, 38 Ommaney Road, New Cross, London
Book Chapters
2023 ‘Linda Aloysius’. In: Miller, K. ‘John Moores Painting Prize 2023’, National Museums, Liverpool, Liverpool, 26-27
‘Linda Aloysius’. In: Hart, E. and Kenning, D. ‘Poor Things’, Edinburgh: Fruitmarket, p.34-37
2020 ‘New Model Army: Behind Tate Modern: Morphological Activism and Working-Class Single Mothers’. In: Deepwell, K. (ed.). ‘Feminist Activisms and Artivisms’, Netherlands: Valiz, 166-179
Peer-Reviewed Articles
2018 ‘New Model Army: Invisible Labour (2017-18)’. In: ‘Feminist Review, Issue 120, Currents’, October 2018, 122-129
2016 ‘Not Fallen but Felled’ (2016). In: ‘Museological Review, Issue 20: The Global Microphone’, April 2016, 63-70
Text Art Reproduced as Book Section
2005 ‘The Rules of The Shop’. In: Walsh, R. (ed.). Infallible, In Search of the Real George Eliot, Birmingham: ARTicle Press, 8-9
Talks
2023 ‘Poor Things’: Book Launch and Discussion (Armsts’ Round-table), live (online) with recording on Fruitmarket’s Youtube Channel
https://www.youtube.com/watch?v=o79MPW_DpIk, Fruitmarket Gallery in collaboration with Edinburgh College of Art, Edinburgh: 12th May 2023.
2023 ‘Touching Untouchables’, Touch-Space: The Tactile Imagination in Contemporary Art, Henry-Moore Foundation, Leeds, 29th May
2022 ‘Sculpting as Healing’, Maternal Bodies in the Long Nineteenth Century, The Foundling Museum, London, 19th April
2021 Research Hub, ACME Studios, Childers Street, London: Artist’s Interview with Elisabeta Ilie, PhD Candidate, Bartlett School of Planning and Urban Design
2020 SFK International Art Education, Beijing, China
2019 ‘When Girlhood is Motherhood: The Desiring & Creative Gazes of Working-Class Single Mothers’, Girling Feminism: Towards New Theories of Girlhood, Glasgow University, 7th June
2018 ‘New Model Army: Invisible Labour’, In Your Own Time: The Production of Body and Time Under Capitalism, MRes Art: Theory and Philosophy, Central Saint Martins, London, 17th May
2018 Linda Aloysius in Conversation with Dr Alexandra Kokoli, APT Gallery, London
2018 ‘(Im) Personification in the Making of New Model Army’, Personification Across Disciplines, University of Durham, 17th -18th September
‘Morphological Activism’, Artivisms and Activisms, Middlesex University, London, 2nd July
2017 ‘Intimacy and Post-Internet Cities: Art and Women’s Dirty Work in the Digital Age’,Post Internet Cities, MAAT – Museum of Art, Architecture and Technology, Lisbon, 26th May
2017 APT Gallery, Deptford, London
2016 Reproductive Labour | Parenting Beyond Patriarchy’. Goldsmiths Graduate Festival, Goldsmiths College, University of London, 9th May
2015 “F” is for Fragment’, Goldsmiths College Research Symposium ‘Un-themed’, Goldsmiths College, University of London, 23rd-24th November
2015 ‘Reproductive Labour, Motherhood and Art’, Motherhood, Deptford Lounge, London, 5th November
2015 ‘We and “We”: A Feminist Analysis of the Economics of Care’. Comparing We’s Community, Cosmopolitanism and Emancipation in a Global Context, Centre for Comparative Studies, Faculty of Letters, Lisbon University, Lisbon, 26th -27th May
2012 Contemporary Art Society, London
2012 Slade School of Fine Art, London
2011 ‘Irigaray’s “To” ‘, First Global Conference: Gender and Love, Mansfield College, University of Oxford, 19th-21st September
2011 Department of Art and Architecture, K College, University of Greenwich School of Art & Design, Bath Spa University
2010 ‘ Notes on a Phallus’, Co-convenor and paper presented for: In/Out, Shake It All About: Objects, Artists and Ontology, Goldsmiths College Research Symposium, University of London, 9th-10th May
2008 AVA Gallery, University of East London
2008 ‘Criticality’s Crisis of Institutionalisation’, Art Relations – Revisiting Crucial Concepts, Freie University, Berlin, Germany, 30th October – 1st November
‘The Wilderness Works’, Co-convenor and paper presented for: Gender, Goldsmiths College Research Symposium, University of London, 8th-10th December
‘Other Artists’, Fine Art Frameworks II: Contemporary Practices, Theories and Curatorial Strategies, Jerwood Space, London, 8th July
Press Mentions + Reviews
2023 John Moores Painting Prize 2023, Patrick Kirk-Smith, Art In Liverpool.com, 12th October 2023
2023 ‘Poor Things at Fruitmarket’, Hannah Udall, 30th March, 2023
‘Poor Things’, David MacMillan, The Scotsman, 6th March, 2023
‘Poor Things Opens at Fruitmarket’ Phyllis Stephens, The Edinburgh Reporter, 7th March 2023
2017 ‘Linda Aloysius: To Keep Standing’, review of the project Land Operation (2017), authored by Cherry Smyth
2012 ‘Linda Aloysius: New Model Army’, Re-Title.com Featured Exhibitions
‘A New Approach to Femininity’, Seoul Art Guide: April 2012, review by Yoon Ki Sup
‘Linda Aloysius: New Model Army’, REVma -/+, interview with Kostas Prapoglous
‘Linda Aloysius: New Model Army’, Paul’s Art World, authored by Paul Carey-Kent Exhibition Catalogue: Gam / Dong (Feel / Move) Public Art Project
Recent Awards
2021 Studio Practice Fund Award: Arts Council England Cultural Recovery Fund with DCMS +ACME
2020 Rent Relief Scheme Award: ACME Studios
2015, 2008 Research Support Award: Goldsmiths College, University of London
Formal Education
2006 – 18 PhD Art (practice led): Goldsmiths College, University of London (part-time whilst in paid employment)
2001 – 03 MFA Fine Art: Distinction: Goldsmiths College, University of London (part-time whilst in paid employment)
1992 – 95 BA Fine Art (hons): First Class: Manchester Metropolitan University