Off-site Solo Exhibitions
2021 Healing Figures (2021-current/ongoing)
2020 If Earth is a Mother (2020), Childers Street, Deptford, London
2019 Behind Tate Modern, Morphological Activism and Working-Class Single Mothers
(2018-2019) Various locations behind Tate Modern, London
2018 With My Body, I Heard the Silenced Song of an Unknown Woman | Con il mio corpo, ho sentito la canzone silente di una donna sconosciuta: Vicolo dell’ Amore, Tuscany
Invisible Labour (2017-18): Creekside, London
2017 Land Operation: Silver Road, London
2015 La Commercial Woman: Carrer del Rec, Barcelona
Gallery + Museum Exhibitions
Solo
2018 New Model Army: Invisible Labour, APT Gallery, Deptford, London
2016 “F” is for Fragment: V22, Louise House, London
2012 New Model Army: Madder 139, London
2009 For Pretty Things Go Elsewhere: Grey Area Gallery, Brighton
Group
2023 John Moores Painting Prize 2023: Walker Art Gallery, Liverpool
2023 Poor Things: Fruitmarket, Edinburgh. Curated by Emma Hart and Dean Kenning
2020 Earth 2020: And Association, Aldgate, London
2019 Four Corners: Credit Suisse, Canary Wharf, London
2017 Touchstone: APT Gallery, London
2016 Reproductive Labour | Parenting Beyond Patriarchy (Part ii): Women’s Art Library,Goldsmiths College, London
2015 Couldn’t Care Less: A Cross Cultural Live Art Project: Deptford Lounge, London. Curated by Something Human in partnership with Deptford Lounge
2013 Object Abuse: Spinach Gallery, London
2012 Jam (1): Gender & Language: The Sugarhouse, Bow Church, London
The Perfect Nude: Wimbledon Space, London. Curated by Dan Coombs and Phillip Allen
2011 A Piece of Paper: Madder 139, London
Creekside Open 2011: APT Gallery, London. Selected by Phyllida Barlow Model Vs Reality: Fold Gallery, London
2010 Inspired by Soane: Sir John Soane’s Museum, London
2009 Gam/Dong/(Feel/Move): Public Art Project, Sabuk-Gohan, South Korea
About Women: CCCB – Centre for Contemporary Culture, Barcelona
2008 Feminista Mistah: AVA Gallery, East London University, London
Routemaster General: Zabludowicz Collection, London. Curated by Michelle Williams-Gamaker
2006 Linda Aloysius, Alexis Harding, Warren Neidich: Andrew Mummery Gallery, London
2004 Flea Market: Temporary Contemporary, London
2003 Boutique: Two-person site specific project, Deptford X: 118 New Cross Road, London.
Curated by Kirsten Lyle
Made in UK: Arch Gallery, Islington, London
Infallible: APT Gallery, London. Curated by Roxy Walsh.
Touring to
Hatton Gallery, Newcastle (2005)
The Arts Centre, Huddersfield (2004)
Mead Gallery, Coventry (2003)
2002 Shift: site specific project, 38 Ommaney Road, New Cross, London
Book Chapters
2023 ‘Linda Aloysius’. In: Miller, K. ‘John Moores Painting Prize 2023’, National Museums, Liverpool, Liverpool, 26-27
‘Linda Aloysius’. In: Hart, E. and Kenning, D. ‘Poor Things’, Edinburgh: Fruitmarket, p.34-37
2020 ‘New Model Army: Behind Tate Modern: Morphological Activism and Working-Class Single Mothers’. In: Deepwell, K. (ed.). ‘Feminist Activisms and Artivisms’, Netherlands: Valiz, 166-179
Peer-Reviewed Articles
2018 ‘New Model Army: Invisible Labour (2017-18)’. In: ‘Feminist Review, Issue 120, Currents’, October 2018, 122-129
2016 ‘Not Fallen but Felled’ (2016). In: ‘Museological Review, Issue 20: The Global Microphone’, April 2016, 63-70
Text Art Reproduced as Book Section
2005 ‘The Rules of The Shop’. In: Walsh, R. (ed.). Infallible, In Search of the Real George Eliot, Birmingham: ARTicle Press, 8-9
Talks
2025 ‘Rewilding Higher Art Education: Rethinking Creative Resilience’, Annual NAFAE conference: Culture Co-operatives: Moments, Spaces, and Alternatives for Art and Cultures of Learning, hosted by The Feral Art School, Hull: 25th April, 2025
2023 ‘Poor Things’: Book Launch and Discussion (Artists’ Round-table), live (online) with recording on Fruitmarket’s Youtube Channel
https://www.youtube.com/watch?v=o79MPW_DpIk, Fruitmarket Gallery in collaboration with Edinburgh College of Art, Edinburgh: 12th May 2023.
2023 ‘Touching Untouchables’, Touch-Space: The Tactile Imagination in Contemporary Art, Henry-Moore Foundation, Leeds, 29th May
2022 ‘Sculpting as Healing’, Maternal Bodies in the Long Nineteenth Century, The Foundling Museum, London, 19th April
2021 Research Hub, ACME Studios, Childers Street, London: Artist’s Interview with Elisabeta Ilie, PhD Candidate, Bartlett School of Planning and Urban Design
2020 SFK International Art Education, Beijing, China
2019 ‘When Girlhood is Motherhood: The Desiring & Creative Gazes of Working-Class Single Mothers’, Girling Feminism: Towards New Theories of Girlhood, Glasgow University, 7th June
2018 ‘New Model Army: Invisible Labour’, In Your Own Time: The Production of Body and Time Under Capitalism, MRes Art: Theory and Philosophy, Central Saint Martins, London, 17th May
2018 Linda Aloysius in Conversation with Dr Alexandra Kokoli, APT Gallery, London
2018 ‘(Im) Personification in the Making of New Model Army’, Personification Across Disciplines, University of Durham, 17th -18th September
‘Morphological Activism’, Artivisms and Activisms, Middlesex University, London, 2nd July
2017 ‘Intimacy and Post-Internet Cities: Art and Women’s Dirty Work in the Digital Age’,Post Internet Cities, MAAT – Museum of Art, Architecture and Technology, Lisbon, 26th May
2017 APT Gallery, Deptford, London
2016 Reproductive Labour | Parenting Beyond Patriarchy’. Goldsmiths Graduate Festival, Goldsmiths College, University of London, 9th May
2015 “F” is for Fragment’, Goldsmiths College Research Symposium ‘Un-themed’, Goldsmiths College, University of London, 23rd-24th November
2015 ‘Reproductive Labour, Motherhood and Art’, Motherhood, Deptford Lounge, London, 5th November
2015 ‘We and “We”: A Feminist Analysis of the Economics of Care’. Comparing We’s Community, Cosmopolitanism and Emancipation in a Global Context, Centre for Comparative Studies, Faculty of Letters, Lisbon University, Lisbon, 26th -27th May
2012 Contemporary Art Society, London
2012 Slade School of Fine Art, London
2011 ‘Irigaray’s “To” ‘, First Global Conference: Gender and Love, Mansfield College, University of Oxford, 19th-21st September
2011 Department of Art and Architecture, K College, University of Greenwich School of Art & Design, Bath Spa University
2010 Notes on a Phallus’, Co-convenor and paper presented for: In/Out, Shake It All About: Objects, Artists and Ontology, Goldsmiths College Research Symposium, University of London, 9th-10th May
2008 AVA Gallery, University of East London
2008 ‘Criticality’s Crisis of Institutionalisation’, Art Relations – Revisiting Crucial Concepts, Freie University, Berlin, Germany, 30th October – 1st November
‘The Wilderness Works’, Co-convenor and paper presented for: Gender, Goldsmiths College Research Symposium, University of London, 8th-10th December
‘Other Artists’, Fine Art Frameworks II: Contemporary Practices, Theories and Curatorial Strategies, Jerwood Space, London, 8th Julyhs College, University of London (part-time whilst in paid employment)
Recent Creative Nature-Based Workshops and Lectureships
2025 Biophilias: BA Fine Art Studio Practice: Development and delivery of off-site walks and workshop series, various venues in and across London with final group exhibition at The Good Rice Gallery, London: Visiting Practitioner
2025 Time in Nature: with data sketch artist Sophie Sparkes: Earthweek Storywalks: Guided nature walk, workshop and creation of story for online publication. Project lead: Dr Heather Barnett, Pathway Leader, MA Art and Science Lab, Central Saint Martins: Visiting Practitioner
2024 ‘Approaching Nature’: Development and online delivery of postgraduate lecture/ workshop series and follow-up individual tutorials for Summer School 2024, SFK China
Press Mentions + Reviews
2024 ‘Poor Artists’, Gabriella de la Puente and Zarina Muhammed, Z. (aka The White Pube), London, October 2024
2023 John Moores Painting Prize 2023, Patrick Kirk-Smith, Art In Liverpool.com, 12th October 2023
2023 ‘Poor Things at Fruitmarket’, Hannah Udall, 30th March, 2023
‘Poor Things’, David MacMillan, The Scotsman, 6th March, 2023
‘Poor Things Opens at Fruitmarket’ Phyllis Stephens, The Edinburgh Reporter, 7th March 2023
2017 ‘Linda Aloysius: To Keep Standing’, review of the project Land Operation (2017), authored by Cherry Smyth
2012 ‘Linda Aloysius: New Model Army’, Re-Title.com Featured Exhibitions
‘A New Approach to Femininity’, Seoul Art Guide: April 2012, review by Yoon Ki Sup
‘Linda Aloysius: New Model Army’, REVma -/+, interview with Kostas Prapoglous
‘Linda Aloysius: New Model Army’, Paul’s Art World, authored by Paul Carey-Kent Exhibition Catalogue: Gam / Dong (Feel / Move) Public Art Project
Awards, Residencies, Commissions and Funding
2023 Fruitmarket Gallery, Edinburgh: Artist’s Fee, travel, accommodation and per diems
2021 Arts Council England Cultural Recovery Fund with DCMS and ACME: ‘Studio Practice Fund’
2020 ACME: Rent Relief Scheme Award.
2017 Ryder Project Space: A.P.T. London: Subsidised residency (2017-18) + solo exhibition (April 2018)
2015 Research Support Award: Goldsmiths College
2016 Futuro House, Central Saint Martins, London: Artist residency
2009 Gam / Dong: Feel / Move, Art in Village Public Art Project, Sabuk – Gohan, South Korea: Artist’s Fee, Travel, accommodation, studio space and group exhibition.
2008 Research Support Award: Goldsmiths College, University of London
2005 New Work Award (Visual Commission): Arts Council Heritage Lottery Fund.
2001-2. Paid study leave to support MFA Fine Art studies, Goldsmiths College: Penta Ocean Construction Co. Ltd.
1995 Artist Sponsorship: Gabriel & Co., Birmingham: Bespoke production and award of components for final the artist’s final degree exhibition.
Commissioned Art Consultancy and Steering
2020 – 2024 Equality, Diversity and Inclusion (EDI) Group: Central Saint Martins, UAL, London:
Sub-Group: Focused Review of Vision and Strategy: Lead
2021 – 2022 Wysing Arts Centre, Cambridge: Accessibility Steering Group Member
Formal Education
2024 – 25 RHS Level II Practical Horticulture, Capel Manor, Regents Park, London
2023 – 24 RHS Level II Plant Growth and Development, Capel Manor, Regents Park, London
2006 – 18 PhD Art (practice led): Goldsmiths College, University of London (part-time whilst in paid employment)
2012 PG Cert Management of Academic Practice, Goldsmiths College, University of London
2001 – 03 MFA Fine Art: Distinction: Goldsmiths College, University of London (part-time whilst in paid employment)
1992 – 95 BA Fine Art (hons): First Class: Manchester Metropolitan University
Other Recent + Ongoing Postgraduate and Undergraduate Lectureships
2012 – ongoing Postgraduate Creative Education: Inclusive Practices + Theories, Policies and Practices, Teaching and Learning Exchange, UAL: Associate Lecturer
2012 – 2025 BA Fine Art Contextual Studies: Central Saint Martins, UAL: Associate Lecturer
2018 – 2020 BA Fine Art, University of East London: Senior Lecturer (Module Leader)
Other Postgraduate Lectureships
2007 – 20 MA Fine Art, School of Architecture and Visual Arts, University of East London: Visiting Lecturer
2013 MA Fine Art: Specialist Masters Workshop, Bath School of Art and Design: Visiting Lecture
2012 MFA Graduate Sculpture, Slade School of Fine Art: Visiting Lecturer
2011 Postgraduate Diploma in Fine Art, Royal Academy Schools, London: Visiting Lecturer
2006 – 07 MFA Fine Art, Goldsmiths College, University of London: Teaching Assistant
Other Undergraduate Lectureships
2007 – 18 BA Fine Art, School of Architecture and Visual Arts, University of East London: Visiting Lecturer
2014 – 15 Access and Progression/Widening Participation/Retention and Achievement/Group Sessions and Teaching, BA Fine Art, Central Saint Martins, University of the Arts, London: Visiting Lecturer
2012 BA Fine Art (Painting), Camberwell College of Art, London: Cover for 0.6 Permanent Staff
2012 BA Fine Art (Top-up), K College, Greenwich University: Visiting Lecturer
2011 BA Fine Art, Bath School of Art and Design, Bath Spa University: Visiting Lecturer
2008 – 09 BA Fine Art Studio Practice, Goldsmiths College, University of London: Teaching Assistant